You may know singer-songwriter Suzy Bogguss from such ’90s country Top 10 radio hits as “Outbound Plane,” “Drive South,” “Hey Cinderella,” “Letting Go” and “Aces,” her 1991 album of the same name.
What you might not know is that she has a new album out, “Lucky,” which is a Merle Haggard tribute record. And you can hear Bogguss perform it live at 8 p.m. on Friday, July 11, at the Harvester Performance Center, 450 Franklin St., Rocky Mount, Va. Tickets are $20 and $25 the day of the show.
Following is a recent interview with Bogguss on the Harvester website:
“Merle Haggard is a hell of a storyteller,” says Suzy. “When I hear his songs, I feel like I’m listening in on someone’s life.” On her new album, Lucky, a collection of songs all written by Haggard, Suzy does more than just listen—the CMA, ACM and Grammy Award-winning singer makes the country rebel’s compositions her own, reinterpreting classics like “The Bottle Let Me Down,” “Silver Wings” and “Today I Started Loving You Again” from a female point of view.
“Merle is one of the most masculine songwriters I’ve ever heard, and I’ve been watching boys cover his music for years. I just thought, ‘Why couldn’t a girl do this?’” Suzy says.
Turns out, a woman can—especially if that woman is Suzy Bogguss, one of country music’s most pristine and evocative vocalists. With the release of the Illinois native’s 1989 major label debut, Somewhere Between, Suzy quickly became one of the key artists that defined those golden days of ’90s country. She scored a string of Top 10 singles with country radio staples like “Outbound Plane,” “Drive South,” “Hey Cinderella,” “Letting Go” and “Aces,” and her 1991 album of that name was certified platinum. In addition, she scored a trio of gold albums and notched more than 3 million sales.
With Lucky, released on Suzy’s own label Loyal Dutchess, the singer comes full circle, returning yet again to her early inspiration, Haggard—Suzy’s Somewhere Between was titled after a Hag cut.
“I didn’t try to imitate Merle, this is my interpretation of his songs,” she continues. “Besides, Merle is still doing his own thing. He’s hard at work, and people are still lining up around the block to see him.”
Lucky is remarkable in its freshness. Its acoustic-based arrangements, while sparse, crackle with vibrancy. Each song is driven by the perfect marriage of Suzy’s delicate voice and the adventurous, yet tasteful, playing of the band.